Relativity Photography, Painting, & Ceramics
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Michael Maguire, Susan Dunkerley Maguire & Denis Maguire
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Show Dates
Feb. 2- Feb. 27 Opening Reception Feb. 5, 2010 from 6-9 p.m.
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Artist Statement by Michael Maguire
In my
artwork, I have been challenged to apply certain ancient world methodologies,
designs and surface treatments to realize a contemporary idea/image. I have
been exploring contemporary “mythic creatures:” large-scale, figurative sculptures
visually rooted in the prehistoric and medieval imagery of Ireland for over ten
years. The rough and often crude, weathered imagery strikes me as true: basic
and powerful archetypal forms and patterns emanating from the gut or the
unconscious, rather than from a “focus group” or marketing survey. I am also
impressed with the ability of artisans from earlier times to make incredible
artwork without elaborate mechanisms and systems. The resourcefulness of its
makers and the expedient immediacy of the work challenge me to seek the more
direct, simple route to produce my own work. I explore different fabrication
methods and combinations of materials to find the most appropriate approach to
convey my ideas based upon the mythic creatures of Irish folklore and legendary
gods.
I also
enjoy playing with the boundary in perception between the abstract and the
figurative. The personification of objects is a common thread of investigation
in my artwork. Like my most recent abstract figures, these larger “mythic
creatures” combine visual references to the prehistoric and medieval folklore
of Ireland with contemporary influences. The essentials of understanding
sculpture: weight, volume, scale, texture, placement and setting, are only as
interesting as the journey it took into being. Like the Celtic artist, my
intention is to make these figurative sculptures more expressive than
descriptive. As the forms become larger and more streamlined, they will become
fresh, lively interpretations of archetypal imagery.
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| By Michael Maguire |
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Susan Dunkerley was born in Galveston, Texas and grew up in Columbia, Missouri. She studied at the University of Missouri — Columbia (BFA, BSed) and at Pratt Institute in Brooklyn, New York (MFA). She lives in Waco, TX where she is an associate professor, teaching in the department of art at Baylor University.
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Susan Dunkerley's photographs document temporary collages and sets constructed in her studio windows. Her photographs have been exhibited and published nationally and in Europe. Her work has been recognized with a number of awards, including the 2001 Fellowship from Silver Eye Center for Photography Pittsburgh, PA, and the 2002 Carol Crow Memorial Fellowship award from the Houston Center for Photography, Houston, TX. Recent exhibition activity includes "Charmed," a solo exhibition at the Print Center In Philadelphia, PA. In other recent projects Susan Dunkerley has expanded her visual vocabulary to include photolithography and sand-blasted glass. Four of her photolithographs are featured in the group show, New York/Paris DIALOGUE, exhibited fall 2005 in New York City and Paris, France. Photographs by Susan Dunkerley are also included in many private collections and in public collections, including the Brooklyn Museum of Fine Art, the Philadelphia Museum of art, and The Museum of Fine Arts, Houston.
Susan photographs primarily with a 4x5 view camera using Type 55 Polaroid film to allow for working intuitively and quickly with the sunlight illuminating her windows. The window location is a nexus, providing both literal and metaphorical connections between interior and exterior space, between the cultivated and the wild. The precision of photography calls for the power of visual imagery to enchant and to set the imagination in motion.
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| Susan Dunkerley-Maguire |
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Artist Statement
Denis Maguire
Denis Maguire has lived in varied geographic settings, thus
his interest in the landscape as a primary subject. He uses loose techniques to confirm his suspicion that the
great impressionists of the past were nearsighted.
The artist feels strongly that public museums and
exhibitions should be enriching and uplifting centers and events rather than
public confessionals for contemporary artists.
Thus, his works of color dominant landscapes are hoped to
send the viewers out of the museum with a keener eye for the beauties around
them, rather than the closest bridge to jump off.
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| "Sailing Class" by Denis Maguire |
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